Category: music

ready for May

I’ve been blogging about once a week through this pandemic. But, for some reason, I’m going for three days in a row this weekend (Friday, Saturday, and Sunday). I’m not sure why. Probably because it’s the end of one month and the beginning of a new one, so I’m taking stock and thinking about stuff. The Washington Post published a long overview article about April yesterday, and it’s a doozy.

I did a couple of fun things yesterday evening, including watching most of Mark Evanier’s Cartoon Voices panel live, and all of a live webcast of Neil Gaiman speaking with N. K. Jemisin. So I got a little bit of the feel of being at a good comic con. And, for some reason, watching these things live always feels a little more exciting than watching the recording later.

I’m feeling a little better this morning than I did yesterday. I didn’t sleep too well last night, but it was better than the previous night. And since I have nothing at all on my to-do list for today, I can just take it easy. I went out for a half-hour long walk this morning, and that was quite nice. Not too many other people were out. The rain had stopped, the sun was shining, and the birds were chirping.

After my walk this morning, I uploaded some more photos to Flickr, updated my March/April album, and created a new May album. I’m not sure how long I’ll keep taking photos and uploading them, but, for now, it’s a nice little thing to do.

It’s supposed to get up to 78º later today, so that might be a problem. I don’t really want to close the windows and turn on the air conditioning, but I might have to. Otherwise, my allergies will really kick in and I won’t be able to sleep again tonight.

I’m again looking at the “On This Day” sidebar on my blog, and I see that five years ago today, I went into NYC, and visited the Whitney and the High Line. This would have been a great weekend to do something like that.

I’ve been meaning to post a bit about the music I’ve been listening to lately, but haven’t gotten around to including that in any of my other recent posts. I’ve been listening mostly to slow, quiet, stuff. Yesterday, I pulled up Max Richter’s Sleep to help me relax and take a little nap. (I bought a copy of that back in 2018, and it’s come in handy on several occasions.)

And I just bought a copy of Ludovico Einaudi’s Seven Days Walking, which is a seven-part work, coming in at about six hours total. It’s quite simple and relaxing, and works well as background music. I didn’t know much about Einaudi, but I’ve looked into him a bit, and he’s apparently quite popular, as classical composers/musicians go. He’s “the most-streamed classical artist of all time,” according to this article. But, apparently, he’s somewhat looked down upon by serious critics, if this review in The Guardian is any indication. Or this one, which compares his music to Thomas Kinkade’s painting. (Ouch.) I’m fine with that, though. I’m enjoying his music, and it’s helping to keep me sane.

And for a couple of shorter works: I recently bought Neroli (Thinking Music Part IV), by Brian Eno and the ZeroZeroZero soundtrack by Mogwai. I’ve also been thinking about picking up some stuff by The Necks, after listening to a bit of their album Drive By and reading some stuff about them, including this old article from the Times.

So, as you can see, it’s mostly been quiet, slow, instrumental music. I’ve also been listening to a bit of WQXR on weekday mornings. That gets me started with some shorter classical pieces, some nice chat from their morning host, Jeff Spurgeon, and a little bit of news (but not too much).

It’s nearly 11 AM now, so I should really wrap this up. I still don’t have much of a plan for today, but that’s fine. I think I’ll go out for another walk before it gets too hot out, then have lunch and read some comics.

Andrew Weatherall

OK, one more obituary post. This one about Andrew Weatherall, who passed away recently. I’ve been listening to his show on NTS, Music’s Not For Everyone, on and off for the last couple of years. I can’t say that I liked everything he played, but it was always at least interesting. The Guardian has an obituary and an article listing ten of his greatest tracks. And the NY Times has a short obituary too.

Mixmag has an article abut the “Weatherdrive”, a repository of about 900 hours of Weatherall mixes. I might have to poke around in there at some point. You can find a fair amount of his stuff on Mixclould too.

I don’t have much else to say about him; I mostly just wanted to link to a few resources that look interesting to me. I’m generally more interested in ambient music than dance music, so a lot of stuff that he’s done over the years isn’t really my thing, but I did like his NTS show and some of his remixes are really great.

The boiling frog

I’ve been thinking about the boiling frog metaphor a lot lately, both with regards to small things and big things. This blog post is going to be about some (relatively) small things. (And also, a bit, about the sunk cost fallacy.)

My cable bill this month had a notice of a rate increase, starting next month. It’s a pretty big increase, both on my TV service and my internet service. But there’s also a note that says that existing customers won’t see their rate increase by more than $14.50. The wording on this was a bit hard to parse. It said “rate” and not “bill” so it wasn’t clear if it meant that no individual charge would go up by more than $14.50, or if the total increase wouldn’t be more than $14.50. I called to ask about it, and of course it’s the former. So it should be two $14.50 increases, plus a handful of fee increases, mostly in the $1 to $2 range. So my overall bill should go up by maybe $35. If they’d actually done the full rate increase all at once, my bill would be going up by more than $60, and that would likely have moved me to (finally) drop my cable TV subscription. But the $35 increase isn’t necessarily going to push me to do anything rash. Every time I think about dropping cable, I remember that I’ve got a TiVo which would become useless if I drop cable. But I bought that back in 2015, so I’ve certainly got my money’s worth out of it, and I shouldn’t worry about that particular sunk cost.

There’s some talk about the new rates on the DSLReports forums. Nobody’s happy about it, but for folks like me that only have one option for internet and TV, there’s not much you can do about it. I have no other option for internet, so I just have to pay whatever they charge and live with it. And I don’t think I’m ready to drop cable TV entirely, but I’m considering dropping back to Optimum’s “Broadcast Basic” package which is $25/month and just gets you the broadcast channels and a few others.

I did briefly consider dropping cable entirely and recycling the TiVo, but I still can’t talk myself into it. And, heck, I should really stop watching television entirely, since it’s probably going to give me Alzheimer’s. (I may be oversimplifying those study results. Still, it’s probably not good for me.)

Relating to boiling the frog, but not to anything else above: Boil the Frog is a neat service that generates a Spotify playlist linking any two artists together, in a (nearly) seamless way. I tried some random artists and got some interesting lists. The one linking Jimi Hendrix to Boards of Canada is nice.

sick day

Back in November, I realized that I had two PTO days that I had to use by the end of the year, so I took today and next Friday off. I kind of thought I might use today to go see Star Wars: The Rise of Skywalker. But I got very sick over this past weekend, and have been struggling through the week. I’ve actually burned an extra day and a half, by taking Monday off and a half-day Wednesday. So I’m feeling a little better today, but not “go out to see a two and a half hour Star Wars movie” better. More like “sit on the couch and binge-watch the original trilogy” better.

Anyway, I’m well enough to kill some time writing a blog post. And I have a bunch of random thoughts I’d been meaning to organize, so I’m going to make this a bit of a catch-up/catch-all post.

First, some post Catalina upgrade thoughts: As I mentioned previously, I don’t have any major issues with the new Music app. I’m a little disappointed in the TV app though. While there is still a list view, there doesn’t seem to be any way to turn on the old column browser for it. So if I want to filter it down to show just, say, my Doctor Who season 10 episodes, there’s no quick way to do that. It’s also gotten the seasons and episodes of Doctor Who quite mixed up at this point. (That may have been the case previously, but I hadn’t noticed it.) See the screenshot below for an example of how a bunch of random stuff has all ended up under “season 1, episode 1.” Doctor Who is maybe an edge case, since I’ve purchased several different seasons and collections, and there are a bunch of odds and ends, like Christmas specials and stuff like that. But there should be a better way to organize it all.

I’m also a little disappointed in the new Finder interface for syncing my iPhone and iPad. It’s mostly fine, but they’ve lost the old status display that used to show at the top of the iTunes window. Now, you just get a tiny circle in the Finder sidebar, so you can’t really tell what it’s doing. It’s not a big deal, but it’s a pain, and there’s no reason they couldn’t fix that. I guess we’ve gotten to the point now where syncing an iDevice to a Mac is the exception rather than the rule. I assume most people either sync to iCloud directly, or don’t sync at all.

Next topic: VPNs. There’s been a bit more news about PIA since I last mentioned them in my blog. Here’s an interview with the COO of the combined KAPE/PIA company. And here’s a recent blog post from PIA. They’re saying a lot of the right things, and it’s cool that they’re open-sourcing their desktop client. On the more general privacy today, the NY Times is running a series on the smartphone tracking industry that looks interesting. There really wasn’t anything in the first part that I didn’t already know. The second part has a fairly simple guide to what you can do on your phone to limit tracking. Again, not much that I didn’t already know, but useful for a more general audience. I found it interesting that they recommended a specific VPN app, Privacy Pro SmartVPN. I wasn’t familiar with that particular app/service, but it’s worth looking into. The third part talks about national security implications, which is pretty important, though again, there was nothing in there that surprised me. The series is still ongoing, and it might be worth reading the rest of it.

Last topic (probably): music. I enjoyed reading The Catastrophist’s 2019 Tech Gift Guide in the NY Times this morning. I wouldn’t give any of these items as a gift, and the only item on the list that I own are the AirPods. And, even on those, I kind of agree with their observations about disposability and the darker side of Apple’s ecosystem. (Though maybe “Your nephew dies alone.” is a bit of a stretch.) And I’m still thinking about streaming music services, though I still can’t quite talk myself into signing up for one. On a practical level, I think either Spotify or Apple Music would make the most sense for me. Spotify is the most popular and has a lot of interesting public playlists available. Apple Music is less popular, but would work better in terms of syncing my existing library to the cloud. And it has a 100,000 track limit, vs Spotify’s 10,000 track limit. (This article is a couple of years old, but as far as I can tell, that’s still the case.) And even if the track limit was higher, there doesn’t seem to be a way to get my iTunes library into Spotify without third-party software. So, I’d probably opt for Apple Music if someone held a gun to my head and told me I had to sign up for a streaming music service today. Of course, nobody’s holding a gun to my head. But every time I look at an artist’s web page and see links to their music on Spotify and Apple Music but no obvious link to buy it in MP3 format, I get nudged a little closer to signing up.

I still have a few thoughts rolling around in my head, but it’s time to give up on this blog post and go do something else. Maybe start into that Star Wars binge I mentioned at the top.

 

macOS TV app

Sunday morning music thoughts

I read an issue of Warren Ellis’ newsletter this morning, and it’s sent me down a number of rabbit holes, as it often does. (Which is why I generally only read it on Sunday mornings, when I have time for rabbit holes.) I’ve been thinking a lot about music lately (again). Since I got my AirPods, I’ve been listening to a bit more music at work. I’m sure that’s partially due to the novelty of having a new toy to play with, but it’s also related to other factors that have given me more “heads down” coding time recently, vs. some of the meeting-heavy weeks I’ve had over the last couple of months.

I keep two music playlists in Overcast, one for “song of the day” podcasts and one for longer music podcasts. I’ve usually got enough stuff in those playlists to keep me happy, but I’ve been catching up and emptying those out recently, so I’ve been using other sources too. The Radio Paradise app lets you cache a couple of hours of music for offline listening, so I’ve been using that too. Radio Paradise plays some really good stuff, and it’s all commercial-free. (I really should donate some money to them…) And I’ve been downloading some random stuff from Amazon Prime Music to listen to offline, including some Swans and Mountain Goats. Prime Music is a nice side-benefit of having a Prime subscription, except for the too-frequent prompts to upgrade to Amazon Music Unlimited. I’ll admit that I’m starting to think about giving in and finally subscribing to one of the streaming services, though I still don’t really want to. It just kind of feels like that’s the way things are going, and doing anything else is swimming against the current.

Getting back to my Warren Ellis rabbit hole, he linked to this essay by Mat Dryhurst. It’s a really long essay, and gets into some “deep thoughts” about streaming music services and the economics of making and selling music these days. He also gets into what he calls the “war between music from nowhere, and music from somewhere.” I’ll admit that, for music I’m listening to at work, I am sometimes looking for that “music from nowhere” category: stuff to drown out conversations around me, so I can focus on work. An exemplar of that kind of music is Focus @ Will, which tries to use music to optimize productivity, and has no artistic goals at all. I’m not so dedicated to productivity that I’d pay for a service like that, but I do sometimes use ambient music for this purpose. The Future Astronauts podcast can be pretty good for that. Often, the music on that podcast just flows together and I stop noticing it. Sometimes, though, something jumps out at me and I find myself looking at the show notes and following a link to somebody’s Bandcamp page and bookmarking it for later. Which kind of cancels out the productivity aspect, but having something new and unexpected or just pleasantly distracting pop up is always appreciated, even if it does mean I lose five minutes of “productivity.”

Zoe Keating has been tweeting about streaming music recently, and some of the discussion that’s arisen out of her Twitter feed is pretty interesting. I will admit that I’ve been listening to her Snowmelt EP on Prime Music, which probably gets her no money at all, rather than buying it on Bandcamp, which would only cost me $4,  most of which she’d probably get to keep. Heck, buying her entire “digital discography” on Bandcamp only costs $12.35. Really, though, I have dozens of albums bookmarked on Bandcamp, and I rarely get around to buying any of them. I’ve been thinking that I’d actually be getting more money to artists if I just subscribed to Spotify or Apple Music and listened to them there. It wouldn’t be much, but it’d be automatic, vs. the current situation, where I just bookmark a bunch of stuff and never get around to buying any of it.

If I do decide to pay for a streaming music subscription, maybe I should try Deezer, since they’re at least trying to pay artists more fairly. (Assuming that this whole UCPS thing isn’t just a marketing stunt, and actually does result in a better deal for artists.) (And that would still be swimming against the current somewhat, since Deezer isn’t exactly the most popular streaming service and will probably get stomped out by Apple/Amazon/etc at some point.)

One alternative I’ve considered is setting aside a $10 per month “Bandcamp budget” and setting a reminder to myself to buy something from my Bandcamp “bookmark backlog” with it at the end of every month.

I’ve been working on this post for way too long, given that it’s all just navel-gazing really, but it’s a rainy Sunday morning, and I guess it’s better than a lot of other things I could be doing. Still, I should probably stop before I turn into Indie Rock Pete. As a way out of this particular rabbit hole, I should go back and reread this article about Mister Rogers’ anti-consumerism. What would Mister Rogers have thought about all this? I think he’d probably still be a vinyl record guy.

 

MoMA and WNYC follow-up

Here’s a quick follow-up on two subjects I’ve posted about recently. First, WNYC announced today that they’re keeping New Sounds, after previously announcing that they were canceling it (and all their other music programming) a couple of weeks ago. This is really good news, and I think it might inspire me to actually listen to New Sounds more often.

Second, MoMA is now open to the public, and the NY Times has run a couple more articles about it:

The Times may have overdone their MoMA reopening coverage. I think I’ve seen six articles about it so far, and I’m not even really looking for them. I probably missed a few. But hey, it’s still interesting to me, and I guess it really is the kind of thing you’d expect the Times to cover thoroughly. I really did enjoy the member preview. I’ll probably go in again at some point in the next month, if I can. Hopefully, the crowds won’t be too bad.

Paperback Writers

I just noticed that the Paperback Writers series on BBC Radio 6 features Warren Ellis, today at 1 PM, in whatever time zone the BBC uses. So that might be in ten minutes, or possibly an hour and ten minutes. I’m not sure. Either way, I’m going to try to listen to it live. (I also need to go back and listen to Neil Gaiman’s episode before it disappears.)

New Sounds

I read in the Times last week that WNYC is dropping New Sounds, after 37 years on the air. I think I started listening to New Sounds when I was in high school, so I guess I was in on it almost from the start. It’s always aired at 11 PM on weeknights, so that’s usually past my bedtime. But I used to stay up late sometimes, back when I was a lot younger. I know that I discovered a few artists on New Sounds that I still love, like Brian Eno and Harold Budd. I remember first hearing their album The Pearl on New Sounds. Coincidentally, I just heard Late October from that album on BBC Radio 3 a couple of days ago (via my Sonos One). It was an unexpected surprise, and a nice way to start my morning.

Both New Sounds and a show called Synthetic Pleasure on WFMU were responsible for me expanding my musical horizons beyond classic rock and getting into electronic music and other experimental stuff,  back when I was a kid. These days, I get most of my electronic/ambient music from podcasts, like Monday Graveyard and Future Astronauts, and from recommendations in Warren Ellis’ newsletter.

If there was an easy way to time-shift New Sounds and listen to it as a podcast, I’d be listening to it regularly too. It’s easy enough to listen to it online, but no easy way to download it. And there’s a 24/7 New Sounds stream that I can listen to on my Sonos, but it’s not quite the same as listening to the actual show.

It’s kind of amazing that the show has lasted so long, at the same station, in the same time slot, with the same great host, John Schaefer. But I guess all good things must come to an end. The Times article says that WNYC will work with Schaefer “to find a new home for the New Sounds brand.” I hope they come up with something to keep New Sounds going, in some format. Clicking around on Twitter and Facebook, I see that there’s some grassroots efforts going on to save the show. I hope that leads somewhere positive, whether it means the show stays on WNYC, or moves to WQXR, or even if it goes online-only.

no more iTunes and too much Main St music

Somebody thought it would be a good idea to start playing music here on Main St again, for the summer, and again it’s gone horribly wrong. Well, maybe not horribly wrong, but I woke up to bad jazz coming in through my window at 4 AM this morning, so pretty wrong. I stayed in bed until about 4:30, when the switch from bad jazz to yacht rock occurred, at which point I gave up and got out of bed. So now I’ve got an extra hour or so to kill before I have to go to work, so I might as well do some blogging.

I’ve been running across a lot of articles this week about the end of iTunes. Some of them are quite overblown and even misleading. Here’s one that isn’t. Key line: “For the most part, the end of iTunes seems to be an end in name only: key features will be retained in the Music app.” (And iTunes for Windows is sticking around for now too.) Here’s a FAQ-style article from CNET that’s also fairly useful and not misleading.

There are a lot of think pieces out there that are mostly following the same narrative. Here’s one from The Verge. The general structure of most of these goes through the rise of iPods, ripping CDs, pirating music through Napster, and buying 99¢ songs through iTunes, then the decline of that model and the rise of streaming music. I can’t argue with any of that, though I’m still not that keen on switching over to a $10/month streaming service.

Depending on how usable the new Apple Music app actually is, I may need to go back to my search for a good alternative music management system. Back in 2017, I had an issue that prompted me to look around. I tried Swinsian on my Mac and MediaMonkey on my PC, but wasn’t happy enough with either of them to stick with them. The issue I had with iTunes eventually got fixed, so I stuck with iTunes.

I’m actually getting a lot of my music these days from podcasts and streaming radio. I’m listening to Monday Graveyard and Future Astronauts regularly, and enjoying both. (And supporting both on Patreon, though for only a buck a month.) And right at this moment, I’m listening to some nice stuff on NTS. (The description of the show I’m listening to right now starts with “Exploring long-form structures and expressive micro-tuning systems…”, so yeah, it’s that kind of music! It’s these guys, apparently.)

I occasionally consider signing up for a streaming music service, though I still can’t talk myself into it. Amazon Music Unlimited would probably be the cheapest, at $8/month for Prime members. (I’m wondering about that price now though, since the page linked above currently shows two “Try It” buttons, one of which says $7.99/month under it, while the other says $9.99/month. And I saw an even higher price in a popup in the iOS app yesterday. So I don’t know what’s going on there.) Anyway, my taste is weird enough right now that I’m probably better off sticking with oddball podcasts, streaming radio stations, and an occasional Bandcamp purchase.

Well, it’s around 6:45 AM now, so it’s still a bit too early to go to work. Maybe I should go for a walk.

 

JoCo Cruise

What Happens When You Put 2,000 Nerds on a Boat? – from the NY Times

I keep thinking I should go on the JoCo cruise one of these years. The 2020 cruise is March 7-14, and my birthday is near the end of that date range, so that might give me an excuse. The cruise is already 90% sold out, and the only rooms still available are in the $5000 range. That’s a bit much for me. Maybe I’ll stick with comic conventions for now. Just as nerdy and a lot cheaper!

Good line from the article above:

Mr. Sabourin and I met to talk in the ship’s casino, a place we knew would be quiet. In a lounge across the way, the JoCo planners set up more than 40 vintage video game consoles, which drew a crowd day and night. On the casino side, the dealers had nothing to do. “Everybody here actually understands probability,” Mr. Sabourin joked.