Category: anime

Where I’m Calling From

I’ve had a lot of thoughts banging around in my head lately that I’ve wanted to write up as blog posts, but I haven’t had the time. I’ve also been ruminating on ways to link some ideas together into a theme that would make for a clever post. Nothing has really come together quite right though. This morning, I started going through that exercise again, while doing laundry, and the title of my favorite Raymond Carver story, Where I’m Calling From, popped into my head, so I thought I’d use that as a title, just start writing, and see where things went. (To be clear, this post has nothing to do with alcohol. I haven’t really been drinking at all over the last year. The link is more to the general idea of evaluating where I am right now.)

I’ve been very aware of this month being the one-year anniversary of the pandemic lockdown. That was the subject of my last post, from a couple of weeks ago. And I guess it’s going to be the starting point for this post too.

I’m almost exactly a year behind in my email “read/review” folder, where I file all of my email newsletters, so I’m just now reading some articles about the start of the lockdown. At the start of 2021, I briefly considered simply wiping out all of 2020 from the folder and starting fresh, but I didn’t do that. I’m definitely tired of reading about Trump, and there’s not much point in reading articles about the Democratic primaries, so I’m skipping those. But it’s interesting to read (or at least skim) some of the early articles about coronavirus, with the benefit of hindsight. A few people definitely saw what was coming, but most people didn’t. I’m reading stuff from early March, where people were still assuming that 2020 would progress normally, with little or no disruption to international travel, movie theaters, comic book conventions, and so on.

For the rest of this post, I’m going to write up some thoughts on various sub-topics, under individual headings. I’m not sure yet if this is all going to come together, or just be random, but here goes…

Movies

The last movie I saw in a theater was Star Wars: The Rise of Skywalker, at the end of December 2019. I had been planning to see Pixar’s Onward in a theater, but hadn’t gotten around to it when the pandemic shut everything down. Movie theaters in NJ were allowed to reopen in September, though many are still closed, apparently. Movie theaters in NYC are only just now being allowed to reopen. I’m on the mailing list for Film at Lincoln Center and Film Forum, both of which are reopening in April. I can’t see myself going into NYC to see a movie any time soon though. Over the course of the last year, I’ve had good intentions about watching a film or two from the virtual cinema selections that these NYC theaters have provided. But I didn’t get around to watching even one. Meanwhile, though, I watched a bunch of movies on the various streaming services to which I subscribe, and have also bought a bunch of Blu-rays, some of which I’ve watched. There’s a good overview of the NYC movie theater situation here. That article also gets into the overall situation for movie theaters right now. For me, I guess I’m going to stick to streaming and Blu-rays for the foreseeable future.

Speaking of Blu-rays, I may have gone a bit overboard with them over the last year. (I mean, I haven’t gone too far overboard, but I did buy a bunch.) Near the start of the pandemic, I picked up a box set of all four Avengers movies. And I’ve picked up the Steelbook Blu-rays for eight Ghibli films. and the big Criterion Godzilla box set. I’ve watched all four of the Avengers Blu-rays (including most of the special features). But I haven’t watched even one of the Ghibli or Godzilla films yet. (Or course, I’ve seen nearly all of them before, but not recently.)

Comic Book Conventions

WonderCon@Home is being held this weekend. I watched a few of the panels from last year’s virtual WonderCon, and it was kind of fun, but these virtual cons pale in comparison to the real thing. I last went to WonderCon in 2019. In retrospect, I’m really glad I went. That was the first time I’d gone to the con since they’d moved it to Anaheim. And it was the first time I’d been in Anaheim in many years. After that con, I’d fully intended to go back in 2020, and maybe make WonderCon an annual thing for me again. (I went to WonderCon regularly for a few years when it was in San Francisco. Looking back, I guess that was 2005-2008.) When the 2020 con was canceled, I think most folks assumed that things would be back to normal in 2021, and the virtual con would be a one-time thing. This year, we’re all hoping that the vaccine rollout will go great, and we’ll be back to normal for 2022. Honestly, I’m really hoping for that, but I’m not making any plans yet.

Anyway, I intend to watch a few of the panels for this year’s virtual con. I definitely want to watch all three of Mark Evanier’s panels. And there are probably a few other good ones. I should probably try to visit the virtual exhibition hall, but I haven’t had much luck with those, from the last few virtual cons I’ve “attended.” They’ve generally been poorly organized and underwhelming. But I’ll take a look.

The San Diego con has also been canceled for this year. They’ll do a virtual con again, in July, and they’re planning on doing some kind of in-person con in November. I wish them luck with that, but I’m pretty sure I’m not going to be making it out to any San Diego con, any time soon. Meanwhile, the San Diego Convention Center, which had been used as a homeless shelter earlier in the pandemic, is now being used to house migrant children, apparently.

Comic Books

This isn’t really directly pandemic-related, but I’ve finally stopped ordering monthly comics through Westfield. My last order was in February, so I’ll probably get my last few books from them in April or May. I’m way behind in my reading, and there’s not a lot of new stuff coming out that I’m really excited about, so I guess it’s a good time to jump off the wagon again.

I’ve been keeping an eye on all the recent changes in the comic book industry, and a lot of that is kind of weird and a little scary. The latest thing is Marvel moving to Penguin Random House for distribution. I could really go down a rabbit hole on the subject of the many changes at Marvel and DC, and generally in the direct market, over the last year, but that’s probably not a great use of my time. For me, personally, I have a good supply of comics and graphic novels to read over the next year or two, in both physical and digital formats, so I should just be happy with that, and wish everyone who makes their living creating and/or selling comics the best of luck. I could probably go through the rest of 2021 without buying another comic, and I’d be fine. (But, of course, I won’t do that. I’m sure to be tempted into buying at least a handful of new books.)

Summary

Well, that covers a few of the things that were rattling around in my head. I have quite a few that I didn’t get around to here, but they’ll have to wait for another day. It’s almost 11 AM and I haven’t done much with the day yet (aside from laundry). I need to get some exercise, and pay some bills, and stuff like that.

still fiddling with Apple Music

I spent some more time today fiddling with Apple Music. (I may have even let myself get a little too distracted from work today. I’ll have to be more careful tomorrow.)

I noticed this article on MacRumors, about Disney adding some new content to Apple Music. And I remembered that I’d added the Legacy Collection version of the Fantasia soundtrack to my Amazon wish list some time ago. It’s a 4 CD version of the soundtrack. It’s actually not that expensive, only $20 from Amazon, but I’d never gotten around to ordering it. So I checked Apple Music, and it’s up there. So I started my work day listening to that.

Later, I started messing around a bit with the idea of replacing some old purchased and matched tracks with higher bitrate versions from Apple. I’d read this article some time ago, and found it again today, and thought it’d be fun to try it out. My first attempt was a bust. I had purchased the original version of the Allman Brothers At Fillmore East album years ago, from iTunes. So the files on my hard drive were .m4p files, encoded at a relatively low bitrate. So my hope was that I could replace them with 256k .m4a files. Long story short, I managed to accidentally delete them from my library, rather than just from my hard drive, and that apparently removes even the entry for the album in your purchase history. So that didn’t work out so well. But I had the original files backed up, so I just put them back. Meanwhile, I looked around in Apple Music, and I see that there’s a 2 CD deluxe edition, and a 6 CD super deluxe edition too. So I added the 2 CD version to my library and decided not to worry about the old one. (I might look at the 6 CD version at some point, but I don’t really need six hours of Allman Brothers right now.)

My second try worked out a bit better. I had an old Afro Celt Sound System album that I’d ripped a long time ago, at a low bitrate. All the songs on it had matched, so I went ahead and deleted them (from my drive this time, and not from my library), and re-downloaded them. Now I have a good 256k, DRM-free, version of it. I might have some more albums I could try that on, but I’m not sure it’s worth the effort.

One more thing I messed around with today was poking through my old iTunes wish list and seeing if anything on it was available in Apple Music. I hadn’t added anything to that wish list in a long time, but there were a few interesting things on there. One big one was Itzhak Perlman – The Complete Warner Recordings 1972 – 1980. I’m not even sure how many CDs that would be, but it’s 23 hours of music. And I see they also have his complete recordings for 1980 – 2002, which is another 44 hours of stuff! I didn’t add either of those to my library yet, but I’ve bookmarked them for the next time I’m on a big Itzhak Perlman kick.

And one very little thing I had on my wish list was the song Heart Grenade by Sean Lennon and Cornelius. It’s used over the end credits for the anime series Ghost in the Shell: Arise, and it’s just a great song. Unfortunately, while it’s available in iTunes to buy for $1.29, it’s not in Apple Music. I found that to be true for a few other oddball songs and albums I tried. Oh well, I guess you can’t get everything for $10/month. Anyway, when I want to listen to Heart Grenade, I can just find it on YouTube. Though maybe I should go ahead and shell out that $1.29.

So, yeah, I need to rein in my natural tendency to start poking around too much during the work day. Maybe I should listen to Ludovico Einaudi’s Seven Days Walking tomorrow, and just stick with that. That’s long enough to fill almost an entire work day, so if I can just commit to that, maybe I can avoid getting too distracted from work.

Con crud, NYCC, Picard, Apple Music, and other distractions

One of the good things about a virtual con is that it should be impossible to get the con crud when you don’t leave your apartment. But after NYCC last weekend, I woke up on Monday feeling pretty bad. I guess I caught a cold at some point over the weekend. I probably picked it up while out grocery shopping. So I was nursing a cold through the first half of the work week, and eventually gave up and took a half-day on Wednesday to rest. It seems like taking time off for a cold shouldn’t be necessary if you’re just working from home anyway, but taking an afternoon off to nap and listen to podcasts did help.

I may watch some panels from Baltimore Comic Con next weekend. They’re supposed to be streaming their panels live, unlike SDCC and NYCC, where most panels were prerecorded, and they have some interesting stuff on their schedule. Also, unlike SDCC and NYCC, nearly all of the panels are actually about comics books! (I’m not knocking SDCC or NYCC. They both did great jobs of putting on a fun virtual event on short notice.)

I’ve been continuing to overdo it on Picard, as I mentioned last weekend. I’ve now watched all the episodes of season one, all the Ready Room episodes, all of the extras on the Blu-ray discs, and listened to about half of the Greatest Discovery podcasts. I also watched the “Trek the Vote to Victory” Biden fundraiser event on Tuesday night, which was a lot of fun, and included a number of the Picard actors, including Patrick Stewart. I guess I’m almost done with Picard for now, though I may keep going through those podcasts. They’re enjoyable, though I’m falling behind in all my other podcasts.

In my continuing quest to lose myself in diverting entertainment, I watched Weathering With You last night. It was almost as good as Your Name, though I think the general consensus is that it’s not quite as good. (Your Name has a 98% rating on Rotten Tomatoes, while Weathering With You has 91%.) For me, Makoto Shinkai still isn’t up there with Miyazaki or Satoshi Kon, but he’s pretty good. I have thoughts about Weathering With You, but they’re not terribly well-organized yet. In some ways, it follows a lot of pretty standard anime tropes, but it makes some really weird decisions along the way, and I’m not sure what kind of conclusions I should draw about those. I’m pretty sure that trying to analyze this movie too literally would be a mistake though.

And I’m continuing to play around with Apple Music. I think I’ve got my library in pretty good shape now. Everything on my PC and Mac has been either matched or uploaded. My iTunes/Music library now says that I’ve got 14,000 items taking up 95 GB. I guess that’s now showing the total size of everything in the cloud. I wish there was an easy way to see how much you have in the cloud vs local from within Music/iTunes, but you need to go into Finder/Explorer to do that. I still have about 44 GB on my Mac. At some point, I think I’ll start deleting stuff from my local library there, and just rely on streaming on the Mac. I’ll keep local copies of everything on my PC, in case I decide to discontinue Apple Music.

I spent a lot of time yesterday fiddling with my library, trying stuff out, and moving stuff around. I found that a lot of the stuff I bought via iTunes back in the early days confused Apple Music a bit. I had to delete some old files and replace them with new ones. And a bunch of files with weird characters in their file names needed to be cleaned up too. (Those might already have been broken, and I just hadn’t noticed before.)

Streaming from Apple Music to my Sonos works pretty well. I’m currently listening to Wagner’s Tristan und Isolde on the Sonos, and it sounds pretty good. This is a version that I ripped from CD and that isn’t available in Apple Music, so I guess I’m just listening to my own ripped version, but streaming from Apple’s servers. I’m curious about how that stuff works. How many other Apple Music subscribers have ripped that particular CD set? Any, or is it just me? If so, does Apple keep all the individual rips, or do they just point to a common base set? If two people encode different rips of the same album, at different bit rates, can Apple tell that they’re the same work, and just keep whichever one is the best rip? If I were to re-rip some of my old stuff to lossless, then re-match it in Apple Music, would Apple keep and stream my lossless files? Or would that be pointless? I’m probably spending too much time overthinking this stuff.

The general theme of this blog post, and honestly about 90% of my recent blog posts, has been distraction and self-absorption, generally in stuff that doesn’t much matter. But I think that’s OK. I voted. I’m supporting charitable (and political) causes that I care about. I’m staying informed on current events. I’m wearing my mask. And I’m showing up to work every day and doing my best. If I want to spend my Sunday morning thinking about doing a lossless re-rip of all my opera CDs, that’s fine!

Sunday stuff, and Legend of Korra

After taking a sick day on Friday, I felt a lot better yesterday, but was still taking it pretty easy. I read some more Buffy comics, and also started watching The Legend of Korra on DVD. I thought I was even better this morning, but then had to cut my usual Sunday walk short because I started getting tired at around the 15-minute mark. So I guess today will also be mostly Buffy and Korra and hot tea and maybe a nap or two.

Avatar and Korra both started streaming on Netflix recently, so there’s been a surge of interest and popularity for both series. I’d watched Avatar some time ago, when it was streaming… somewhere. I don’t really remember. I know I didn’t watch it when it first aired, and I know I don’t have the DVD set. But I never got around to watching Korra. I got interested in it early this year, and bought the DVD set from Amazon. At the time, it wasn’t streaming anywhere that I had access to, and the DVD set was less than $20.

When Netflix got both shows, I started seeing a lot of references to them on the web, so that reminded me that I hadn’t gotten around to Korra yet, and now seemed like a good time to start watching it. Generally, there’s a dearth of new shows coming out right now, for obvious reasons, so there’s been a lot of articles and podcasts that are mining old ones. I listened to a Pop Culture Happy Hour episode on Avatar recently that was pretty good. I was going to link to a few more articles here, but one of them turned out to have a big spoiler in it for something I haven’t gotten to yet, so I think I’m going to avoid reading any more Korra articles until I’ve finished the series.

Anyway, I finished “book one” yesterday, and I’m really enjoying the series so far. It’s got a bit of a steampunk feel to it. Steampunk definitely had a peak at some point, maybe around the same time this was originally airing, so I might have rolled my eyes at it then, but now it seems kind of cool again. It’s kind of amazing what they did with this show, on what I assume must have been a fairly limited budget. I’m not sure how well it holds up over the next three seasons, but it’s well-respected enough that I assume it continues to be pretty good, at least.

six months

I’ve been thinking a lot about how we’re just hitting the six month mark on this whole COVID-19 thing here in the US. March 12 was my last day in the office. I took March 13 as a vacation day. Then, we started working from home on Monday, March 16. And my company is still working from home, with plans now to return to the office in November, with managers coming in two days a week and the rest of us coming in only one day a week. This is probably the fifth “return to office” plan we’ve had. The last one had us all returning in October, two days a week. I’m not complaining or criticizing; no one is having an easy time figuring this thing out, and I’m glad my employer hasn’t forced us to come back too early. But it seems like, through the whole pandemic, we’re always just about a month away from returning to “normal,” but we never quite get there. I’m only now really starting to see that, and thinking about things I could be doing differently, treating work from home as “normal” rather than “temporary”. So that’s all a lot of wind-up to say that I finally broke down and ordered a new USB headset for home use. (There’s still one sitting on my desk at work, but they haven’t allowed us to go back in and clean out our desks. I put in a request to do that, but I guess it’s stalled somewhere, since I haven’t gotten a response to it.)

I ordered the headset from Best Buy, since they had it in stock to ship right away, while Amazon still has a one-month wait on USB headsets, at least for the model I wanted. That turned out to be a bit dangerous, since it also led to me poking around in their Blu-ray selection, which led to me buying four Miyazaki SteelBook Blu-rays, plus the 25th Anniversary Ghost in the Shell Blu-ray SteelBook, and pre-ordering the Weathering With You Blu-ray SteelBook. I’m not particularly attached to SteelBooks, but they do look nice, and the Miyazaki ones were only $18 each. (Apparently, they’re also $18 at Amazon right now.) The Ghost in the Shell one was also only $18. Weathering With You was more expensive, but still reasonable. So now I have a bunch of new anime discs to watch. (Even though most of them are movies I’ve already seen multiple times.)

Yesterday, I watched a bit of DC FanDome and some of NCSFest. This second day of FanDome was done differently from the first day, last month, where they actually had a schedule, kind of like a real con. This time, they just dumped all the video content out there at 1 PM Eastern time, and left it up until 1 PM today. So you could watch whatever you want, whenever you want. The content was really a hodgepodge of random stuff. I’m pretty sure most of it was recorded at least a month ago. And there wasn’t really much content around the actual comic books. But I did watch a nice panel discussion with Brian Bendis, Gene Yang, and Dan Jurgens, talking about Superman. The feeling I’m getting out of DC Comics right now is that they’re really hitting the brakes on a lot of stuff and pulling back on things. I think that a lot of the FanDome content was prepared before the layoffs last month, so it’s not really reflecting the actual state of things at DC right now. I’m not really sure what DC is going to look like at the end of this year, but it’ll probably be a lot different from the way they looked at the beginning of this year, before Dan DiDio left, and COVID-19 hit, and all the layoffs happened.

NCSFest was done as one long live stream, via YouTube. They had a number of panels, interspersed with announcements of the Reuben awards. The whole nine-hour stream is available to watch on YouTube now. If you wanted to find a particular panel, I guess you could check the schedule, then do a little math and fast-forward to it. I watched a bit of the “From Panels to Publishing” panel, some of the Jim Davis panel, and some of the Mutts panel. All of them were fun to watch. Cartoonists are generally pretty cool, chill, funny people. NCS is really a professional organization, so the content isn’t necessarily geared towards fans, or towards self-promotion, more towards actual cartoonists. For me, that makes it even more fun. But if you don’t want to hear Lynn Johnston and Patrick McDonnell talking about what brand of ink they use, then it’s probably not for you.

I guess that’s my ramblings for today. There’s maybe not much value in any of this for anyone else, but writing these posts helps me get through things. Tomorrow starts another week of sitting alone in my apartment, staring at a computer screen, trying to do my job without going nuts. If random blogging about comics and anime helps, I’m going to keep doing it.

Streaming Ghibli

I blogged about Studio Ghibli (specifically Miyazaki) films back in August. I was thinking about trying to catch up on any Miyazaki films I hadn’t gotten around to seeing. I was surprised at the time to discover that none of them were available digitally in the US, either for sale or rent, or on one of the pay-per-month streaming services. Since then, I’ve watched a few, by the relatively old-school method of checking them out from my local library on DVD.

Just a few days ago, Otaku USA posted an article with the title “No Plans for Studio Ghibli Films to Hit Streaming Services,” so it looked like they were still holding out. Then yesterday I saw an article in the Times saying that the films will start streaming on the new HBO Max service starting some time next year. I guess that’s cool, if it allows more people to see great stuff like Spirited Away and Princess Mononoke. But I’d kind of liked that Ghibli was still holding out, and that you had to make at least a little effort to “find” their films. Once the films are on HBO Max, will we still have stuff like Ghibli Fest? Or the cool special edition Blu-Rays from GKids? (Eh, ignore me, I’m just a cranky old man. I’m sure GKids will be happy to keep selling Blu-Rays to weirdos like me. Or I can always hit eBay for used DVDs.)

Miyazaki DVDs and Blu-rays

I finished watching the last episode of 10 Years with Hayao Miyazaki last night. (I mentioned the series in my last post.) The first couple of episodes concentrated mostly on Ponyo. The last couple covered The Wind Rises, which is likely to be Miyazaki’s final film. They also covered From Up on Poppy Hill, directed by Miyazaki’s son Gorō Miyazaki. (The series spends some time on that father/son relationship. It’s a bit prickly.)

Anyway, watching this got me interested in watching some Ghibli films again, so I starting poking through my DVDs to see what I had. I was surprised to see that I apparently only own three Miyazaki films: Castle of Cagliostro, Castle in the Sky, and Princess Mononoke. I could have sworn I owned a copy of Spirited Away, but I can’t find it anywhere, nor can I find any indication in my email archives that I ever bought a copy. So I think I was mistaken there. And I also remember owning Kiki’s Delivery Service, but that might have been on VHS.

So now I’m thinking it might be a good idea to rectify that in some way. Back in 2015, there was a big Blu-ray set of The Collected Works of Hayao Miyazaki, available exclusively on Amazon, for $225. I probably should have bought it back then, since it’s going for $600 now. (It looks like it was a pretty nice set.)

Looking at the state of Ghibli/Miyazaki films in the US right now, I see that the rights for most of them moved from Disney to an outfit called GKIDS in 2017. I was vaguely aware of that already, but hadn’t bought any of their releases. I see that they have a number of films available right now, including an “anniversary edition” of My Neighbor Totoro and a “collector’s edition” of Princess Mononoke, both of which look pretty cool.

I’m kind of trying to cut down on my accumulation of physical media though, so I checked to see if any of this stuff was available to rent or buy digitally. I was surprised to see that none of it was available on iTunes, nor does any of the GKIDS stuff seem to available digitally at all. I found a bit of discussion related to that on reddit. I guess it makes sense, though it would be nice to be able to rent a few of the films I haven’t seen, but that I’m not interested in owning.

GKIDS and Fathom Events are still doing their Studio Ghibli Fest thing. Looking at the schedule for the rest of the year, they’re mostly doing one movie per month, generally near the end of the month. I could actually go see My Neighbor Totoro tomorrow night. But it’s a pain for me to do that kind of thing on a weeknight.

So it wasn’t looking like I was going to be able to catch up on Miyazaki films without spending a bunch of money on Blu-rays. But then I checked my local library system, and they have a bunch of Miyazaki DVDs, so maybe I’ll start checking them out of the library and watching them that way.

more manga and anime notes

I’m still on my manga and anime kick. I mentioned last week that I might start reading Oh My Goddess! again, and I did do that. I reread the first volume, and read the second and third. I don’t have the fourth or fifth volumes. (I have about half of the first twenty volumes, pretty much randomly selected, that I picked up on sale at a con at some point in the past.) I haven’t decided if I want to just read the rest of volumes I own, skipping the others, or if I want to fill in the missing volumes and read all of the first twenty. While there is some continuity to follow, I think I could probably just read the volumes I own, and still manage to enjoy it without getting too confused or lost. While I am enjoying Oh My Goddess!, I’m looking at it mostly as a mildly pleasant diversion, and not as an epic story that I need to read, beginning to end.

I’ve realized that, if I want to read the whole series, it might be a little complicated to acquire. All of the volumes that I own are from Dark Horse’s original run, from the late 90s and early 2000s. They were printed left-to-right, and were broken into volumes differently from the original Japanese volumes. Those are all out of print. They reprinted them all starting around 2005, but this time in right-to-left format, and broken into volumes the same way as the originals. Those are still in print. So, if I pick up any of the new volumes, I’ll be missing some chapters and I’ll have duplicates of others. And I’ll be switching back and forth between left-to-right and right-to-left format, depending on what I’m reading.

I also made the mistake of searching for info on the creator of the series, Kōsuke Fujishima. It turns out that he married a 20-year-old cosplayer a few years ago. (He was 51 at the time.) So, not nearly as bad as the Rurouni Kenshin guy, but still kind of questionable.

And speaking of anime and manga creators, I just started watching a documentary series called 10 Years with Hayao Miyazaki. This series follows him through the creation of the Ponyo movie. It’s quite interesting to see his creative process, which seems to be fueled mostly be chain-smoking and self-doubt. (So, hey, if Miyazaki suffers from something like imposter’s syndrome, it’s cool if I do too, right?)

I’ve also been continuing to watch the special features on my Full Metal Panic: TSR DVDs. There are videos from the creators’ trip to Hong Kong on every disc. They’re not that exciting, really, but they’re kind of interesting. They wandered around somewhat randomly in Hong Kong and got a lot of video. Given the current situation in Hong Kong, it’s interesting to see what the city was like back in the early 2000s, not that long after the handover, really. There are also commentary tracks for every episode, done by various voice actors from the series. The audio is in Japanese, of course, so I have to follow them via subtitles, but they’re fun to listen to. I’ve listened to American voice actors on a whole bunch of commentary tracks (Simpsons, Futurama, etc.), but I don’t think I’d ever listened to a commentary track from Japanese voice actors.

pulling together some anime and manga threads

There are a few stray threads rattling around in my head that I’ve been meaning to gather together into a blog post. I got one or two into this morning’s post about Full Metal Panic, but it didn’t make sense to pull any of the other threads into that particular post.

First thing: I’ve been relying on my Sony PS3 as a DVD/Blu-ray player for, let’s see… eleven years now, apparently. It has always been pretty noisy, and has gotten more so as it has gotten older. (And it’s particularly bad on hot days.) One of my rationales for buying an Xbox One was that it would probably be a better, quieter, DVD/Blu-ray player than the PS3. I still haven’t gotten around to buying a media remote for the Xbox though, so I’ve continued to use the PS3 for playing discs. But I think I may have finally driven it over the edge this weekend. After watching an hour or so of the first disc of FMP: TSR, I took a break, then when I came back and tried to pick up where I’d left off, I found that the PS3 wouldn’t recognize the disc anymore. I didn’t try to do much troubleshooting. I just switched over to the Xbox, and it worked fine. (And there’s no fan noise on the Xbox!) The regular Xbox controller doesn’t make a very good media remote, but it’s workable, once you’ve read the support article telling you what all the buttons do. I’m probably still going to want to buy a media remote at some point, but I’m not in a hurry.

As for the PS3, I’ll give the drive another try at some point and see if it’s fried or if it just overheated yesterday. I’m not sure what I’ll do if it’s fried. Maybe it’s time to give up on the PS3. (But I have so many games I haven’t gotten around to playing yet, and the PS4 isn’t backward compatible with PS3 discs. Oh well.)

Second thread: I mentioned the “hedgehog’s dilemma” in my post about Neon Genesis Evangelion a couple of months ago. I saw this week that Felicity Ward has a comedy show about the hedgehog’s dilemma that is available for download here. I haven’t listened to it yet, but I’ve liked her appearances on The Bugle, so I’m curious about it.

Third thread: I just finished reading the Scott Pilgrim graphic novel series. I’ve had the original black & white books in my reading pile since 2010, and just decided to read them now, as a break from War and Peace. I liked them a lot. I saw an article about a fifteenth anniversary party for the Scott Pilgrim books on Twitter yesterday, so that’s another (slightly) weird coincidence. I think you could probably get a decent essay out of the idea of applying the hedgehog’s dilemma to Scott Pilgrim. Out of curiosity, I searched for “Scott Pilgrim hedgehog” and found an academic paper that matched those terms, but the reference was to Sonic the Hedgehog.

Fourth thread: I’ve now succeeded in selling off all of my Ai Yori Aoshi manga and most of my Rurouni Kenshin manga on eBay. I still have nine items listed on eBay that haven’t sold. I’m just letting them automatically relist every week, with lower prices. I guess if they don’t sell, then at some point I’ll give up and put them aside for a library sale donation or something. I have more books I’d like to put up on eBay, but I don’t really want to do the work right now.

And I’m resisting the urge to buy more manga on eBay. I noticed somebody selling the Full Metal Panic manga, all nine volumes, for $36. That’s kind of tempting. And it’s out of print in the US, so I can’t get it digitally. That’s the problem with selling stuff on eBay; I always start straying off into looking at other people’s auctions, then I wind up buying more stuff!

Anyway, I think my next manga series might have to be Oh My Goddess. I’ve read three of those, and have nine that I haven’t read yet. Of course, there are another 6 or 7 that I don’t own, so I’ll eventually end up back on eBay… And now that I’m looking at it on Wikipedia and Goodreads, I realize that there are a lot more volumes of OMG than I thought there were. I was only looking at the first twenty volumes, but there are actually 48 total. Well, I assume I’ll get tired of it after twenty, but who knows? At least OMG is available digitally.

Full Metal Panic

I found myself in the mood for anime again recently, so I picked something out of my anime DVD pile and started watching. I started with Full Metal Panic? Fumoffu, about a week ago. I finished that up yesterday, and started into Full Metal Panic!: The Second Raid. I’d watched the original Full Metal Panic series quite some time ago, and liked it enough to buy Fumoffu and TSR, but then never got around to watching them. I’m not sure when I bought Fumoffu, but I know I bought the first TSR DVD in 2008, since I left the receipt in the DVD case.

After watching a bit of Fumoffu, I took a look at the Wikipedia page for it, and realized that it was produced by Kyoto Animation, the studio where that arson attack happened last month. From the Wikipedia page, it appears that Fumoffu might have actually been the very first series they produced.

I wasn’t really familiar with Kyoto Animation, prior to reading about the arson. It looks like they’d been around since the 80s, but only started acting as the “main producer” on stuff in 2003. Reading up on them, it sounds like they’re a pretty cool company, which only makes the arson thing all the more heartbreaking.

Both Fumoffu and TSR were directed by Yasuhiro Takemoto, who died in that attack. The first DVD of the TSR series has a couple of special features on it, showing a few of the creators of the series, including Takemoto, doing some background research for it, going to a demonstration of the Japanese Self-Defense Forces, and on a trip to Hong Kong. Those were fun to watch, but now that I know what happened to Takemoto, I’m feeling pretty melancholy about it.

I started out watching this stuff purely as goofy escapism, but now it all seems a lot heavier. I’m still going to finish watching TSR, and I’m sure it’ll still make me laugh, but lately it doesn’t seem like I can enjoy anything as pure escapism anymore. The real world always intrudes somehow.

As an aside, Fumoffu and TSR are both available to watch for free on YouTube, as is the first series. These appear to be legitimately posted by Funimation. I’m not sure why they’re available for free. Maybe they put older stuff on YouTube to get people interested enough to pay for newer stuff? Regardless, it’s cool that you can watch this stuff for free if you want to.